Juel Taylor Wikipedia, Wiki, Age, Interview, Instagram
Juel Taylor Wikipedia, Wiki, Age, Interview, Instagram -: Juel Taylor is an American writer and filmmaker. He was born in the USA on January 1st, 1985. Juel Taylor is most recognized for his work as a writer and director on the films Date Night (2010), Roubado (2014), Doors (2015), Sanctity (2016), The Big Chop (2017), Creed II (2018), Space Jam: A New Legacy (2021), and They Cloned Tyrone Netflix (2023).

Juel Taylor Bio
Name | Juel Taylor |
Nickname | Juel |
Age | 38 years old |
Date Of Birth | 1 January 1985 |
Profession | Director |
Religion | Christian |
Nationality | American |
Birthplace | United State |
Juel Taylor Wikipedia, Wiki, Age, Interview, Instagram
Juel Taylor Measurement
Height | 5 feet 8 inch |
Weight | 65 kg(Approx) |
Eye Colour | Black |
Hair Colour | Black |
Juel Taylor Wikipedia, Wiki, Age, Interview, Instagram
Juel Taylor Educational Qualifications
School | High schools |
College or University | Private University |
Educational Degree | Graduated |
Juel Taylor Wikipedia, Wiki, Age, Interview, Instagram
Juel Taylor Marital Status
Marital Status | Unmarried |
Suppose Name | Not Known |
Affairs | Single |
Juel Taylor Wikipedia, Wiki, Age, Interview, Instagram
Juel Taylor Net Worth
Net Worth | $5 Million |
Salary | Not Known |
Juel Taylor Wikipedia, Wiki, Age, Interview, Instagram
Juel Taylor Social Media Accounts
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Youtube | Click Here |
Juel Taylor’s genre-defying satire in “They Cloned Tyrone” has style to burn.
They Cloned Tyrone by Juel Taylor is a science fiction satire presented in the form of a Blaxploitation movie. This odd-throuple comedy, which is set in the grimy world of The Glen, stars John Boyega as Fontaine, a small-time drug dealer whose days revolve around the same dull pattern of events: He stumbles out of bed, does some business, visits the neighborhood booze store, and takes all necessary action to keep his competitors in line and ensure that his clients pay him on time.
Taylor’s full-length directorial debut distinguishes itself from just about every other Netflix original movie because to the grainy way it was shot. It can also be seen in the manner that the ghastly yellow and green lights of the surroundings that only dimly illuminate the dingy hotel rooms and decaying houses always appear to be seen through a fog. They Cloned Tyrone actually reminds us so much of a 1970s B movie that it surprises us when a character declares that cryptocurrency will be their ticket out of this dead place.
The movie has already succeeded in its goal if it has confused you. The Glen, as you know, is a location where nothing ever changes, populated by individuals who never leave the area and the manner of life they were born into. However, it turns out that those factors may be far stranger than the often pernicious socio-economic pressures that bind people.
After suffering a barrage of bullets to the chest during a firefight and then waking up back in bed the following morning as if nothing had happened, Fontaine first notices that there’s something unusual going on in The Glen. He swiftly joins forces with Slick Charles (Jamie Foxx), a local pimp, as a result of his search for answers. Slick Charles, a previous Player’s Ball Pimp of the Year who is no longer at the height of his powers, is decked out in exotic combinations of fur, leather, and glistening gold. He now runs his company from a small motel room with a few women who will put up with his conceited manner.
One of those women is Yo-Yo (Teyonah Parris), a fan of Nancy Drew who joins Fontaine’s investigative squad as the third person. Slick cautions her, “You need to breathe,” but in reality, they are both just as talkative as one another. Even though they are dressed in vintage Blaxploitation garb, they have a screwball couple-like dynamic. They argue and squabble throughout the entire movie They Cloned Tyrone, yelling at one another one minute and bonding over Kevin Bacon movies the next without skipping a beat.
The back-and-forth between Slick and Yo-Yo is so quick that several phrases get lost in the barrage of oratory, like when Slick refers to Fontaine “pulling a Fifty Cent” during the aforementioned fire fight. But with a comedy like this, that can also be a benefit because you’re sure to leave with a new favorite joke each time you revisit it. The highlight of Foxx and Parris’s friendship is a scene that appears to have been improvised in which their characters pass the time in an elevator by singing a high-pitched duet of Mary J. Blige’s “I’m Going Down,” using their pistols as microphones. Slick and Yo-yo’s volatile comic energy propels They Cloned Tyrone.
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