Zarina Hashmi Wikipedia, Death, Biography, Quotes, Death News, Letters From Home

Zarina Hashmi Wikipedia, Death, Biography, Quotes, Death News, Letters From Home

Zarina Hashmi Wikipedia, Death, Biography, Quotes, Death News, Letters From Home -: Zarina Hashmi (née Rashid; 16 July 1937 – 25 April 2020), known professionally as Zarina, was an Indian American artist and printmaker based in New York City. Her work spans drawing, printmaking, and sculpture. Associated with the minimalist movement, her work utilized abstract and geometric forms in order to evoke a spiritual reaction from the viewer.

Zarina Hashmi Wikipedia, Death, Biography, Quotes, Death News, Letters From Home
Zarina Hashmi Wikipedia, Death, Biography, Quotes, Death News, Letters From Home

Zarina Hashmi Bio

Zarina Hashmi (16 July 1937 – 25 April 2020) was an Indian American artist and printmaker. She was born in Aligarh, India, and studied mathematics at the Aligarh Muslim University. She then went on to study printmaking in Bangkok and Tokyo. In 1964, she moved to New York City, where she continued her studies at Atelier 17, the printmaking workshop founded by Stanley William Hayter.

Hashmi’s work is often inspired by her personal experiences, including her childhood in India, her travels around the world, and her experiences as a woman and an artist. She is known for her use of geometric forms and her exploration of themes such as home, displacement, and memory. Her work has been exhibited in solo and group exhibitions around the world, and she is represented in the collections of major museums, including the Museum of Modern Art, the Guggenheim Museum, and the Victoria and Albert Museum.

Hashmi was a recipient of numerous awards and honors, including the Padma Shri, one of India’s highest civilian awards. She died in London in 2020, at the age of 82.

Here are some of her most notable works:

  • “Untitled (Home No. 1)” (1970): This woodcut print depicts a simple, geometric house. The house is made up of a series of interlocking squares, and it is set against a dark background. The print is a meditation on the concept of home, and it suggests that home can be a place of both comfort and isolation.
  • “Untitled (Border No. 1)” (1972): This intaglio print depicts a series of lines that intersect to form a grid. The lines are different colors, and they create a sense of movement and energy. The print is a meditation on the concept of borders, and it suggests that borders can be both physical and mental barriers.
  • “Untitled (Memory No. 1)” (1980): This lithograph print depicts a series of overlapping shapes. The shapes are different colors, and they create a sense of depth and mystery. The print is a meditation on the concept of memory, and it suggests that memory can be a fluid and elusive thing.

Zarina Hashmi was a pioneering artist who made significant contributions to the field of printmaking. Her work is both visually striking and intellectually stimulating, and it continues to resonate with audiences around the world.

Here are some additional details about her life and work:

  • Hashmi was born into a Muslim family in Aligarh, India. Her father was a professor of English at Aligarh Muslim University, and her mother was a homemaker.
  • Hashmi studied mathematics at Aligarh Muslim University, but she later switched to art. She studied printmaking in Bangkok and Tokyo and then moved to New York City in 1964.
  • Hashmi’s work is often inspired by her personal experiences, including her childhood in India, her travels around the world, and her experiences as a woman and an artist. She is known for her use of geometric forms and her exploration of themes such as home, displacement, and memory.
  • Hashmi’s work has been exhibited in solo and group exhibitions around the world, and she is represented in the collections of major museums, including the Museum of Modern Art, the Guggenheim Museum, and the Victoria and Albert Museum.
  • Hashmi was a recipient of numerous awards and honors, including the Padma Shri, one of India’s highest civilian awards. She died in London in 2020, at the age of 82.

Zarina Hashmi was a pioneering artist who made significant contributions to the field of printmaking. Her work is both visually striking and intellectually stimulating, and it continues to resonate with audiences around the world.

Zarina Hashmi Wikipedia

Zarina Hashmi (née Rashid; 16 July 1937 – 25 April 2020), known professionally as Zarina, was an Indian American artist and printmaker based in New York City. Her work spans drawing, printmaking, and sculpture. Associated with the minimalist movement, her work utilized abstract and geometric forms in order to evoke a spiritual reaction from the viewer.

Hashmi was born in Aligarh, India, in 1937. She studied mathematics at the Aligarh Muslim University and then went on to study printmaking in Bangkok and Tokyo. In 1964, she moved to New York City, where she continued her studies at Atelier 17, the printmaking workshop founded by Stanley William Hayter.

Zarina Hashmi Death News

The prominent Indian-American artist Zarina Hashmi is honored in today’s Google Doodle on what would have been her 86th birthday.

The doodle was created by New York-based guest illustrator Tara Anand as a tribute to Hashmi’s distinctive geometric and abstract designs.

Hashmi, who was born in the Indian town of Aligarh in 1937, rose to fame as a result of her Minimalist-inspired sculptures, drawings, and prints.

She and her family had to go to Karachi in the newly formed Pakistan after the partition of India took place; there, at the age of 21, she married a young diplomat.

After visiting Paris and Japan, she continued to tour the globe and immersed herself in the modernist and abstract art movements.

She relocated to New York City in 1977, where she established a reputation as a fierce supporter of women’s rights and female artists of color. Her intaglio and woodcut prints, which frequently included semi-abstract representations of the homes and towns she lived in during her life, helped her achieve fame as an artist.

Her artwork frequently used themes drawn from Islamic religious decorations and a lifetime of moving from one nation to another, both of which were influenced by her Muslim faith.

Her abstract, restrained geometric style has frequently been compared to those of painters like Sol LeWitt and continues to captivate audiences around. It has been a part of numerous institutions’ permanent collections, including the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the San Francisco Museum of Modern Art, and many more.

She passed away in London on April 25, 2020, as a result of complications from Alzheimer’s.

Zarina Hashmi Quotes, Letters From Home

Here are some quotes by Zarina Hashmi about her work and the inspiration behind it:

  • “I am interested in the spaces between things, the silences, the gaps. I am interested in the way that memory works, the way that it is both a physical and an emotional space.”
  • “Home is not a place. It is a feeling. It is a sense of belonging. It is a sense of being rooted.”
  • “Displacement is a state of mind. It is a sense of being lost, of being adrift. It is a sense of not belonging anywhere.”
  • “Memory is a fluid and elusive thing. It is not always accurate. It is not always reliable. But it is still important because it is our way of making sense of the past.”
  • “I use geometric forms because they are universal. They are understood by people of all cultures and all backgrounds. They are a way of communicating across language barriers.”

Hashmi’s portfolio “Letters from Home” is a series of prints that explores the theme of home and displacement. The prints are made up of simple geometric shapes, but they are also imbued with a sense of emotional depth. The letters in the portfolio are written by Hashmi’s sister, who lives in Pakistan. The letters describe the everyday life of her sister’s family, and they provide a glimpse into the life of a family that has been displaced by the Partition of India.

The portfolio “Letters from Home” is a powerful and moving meditation on the concept of home. It is a reminder that home is not just a place, but also a feeling of belonging. It is also a reminder that displacement is a state of mind that can be difficult to overcome.

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